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Found 6 Skills
Use when writing or editing novels, short stories, or any fiction manuscript. Trigger on: 'write fiction', 'edit my novel', 'developmental edit', 'line edit', 'character voice', 'plot hole', 'brainstorm', or fiction writing tasks.
Generate stories about institutional outcasts given impossible mandates with minimal resources. Use when you want team dynamics in hostile institutions, David vs. Goliath within organizations, or narrative tension from constraint-driven creativity.
Craft compelling fiction and creative nonfiction with attention to structure, voice, prose style, and revision. Supports short stories, novel chapters, essays, and hybrid forms. Triggers on creative writing, fiction writing, story craft, prose style, or literary technique requests.
Assist writers with story planning, character development, plot structuring, chapter writing, timeline tracking, and consistency checking. Use this skill when working with creative writing projects organized in folders containing characters, chapters, story planning documents, and summaries. Trigger this skill for tasks like "Help me develop this character," "Write the next chapter," "Check consistency across my story," or "Track the timeline of events."
Character creation, protagonist/antagonist design, and dramatic conflict for scripts (characters/opponents/conflict) — merged from Lajos Egri (three-dimensional character, orchestration, unity of opposites, pivotal character, rising vs. static vs. jumping conflict, transition), William Indick's Psychology for Screenwriters (Freud, Erikson, Jung archetypes, Campbell/Murdock hero journeys, Adler, Rollo May), Robert McKee (characterization vs. true character, dimensions, gap, antagonism principle), Neill Hicks (character invocation, self-concept, cognitive dissonance, five conflict focuses, Maslow), Lisa Cron (desire vs. misbelief), and Lu Jun (the eight requirements for making a character “alive,” a strong opponent, “give the opponent a knife,” “the strongest opponent is oneself,” and “never summon auspicious clouds”). Use when building a protagonist, an antagonist, or a cast; when a character feels flat or acts out of character; when conflict stalls or jumps; when a villain is too weak; when designing an arc or motive; or when diagnosing melodrama.
Guide AI to write Chinese novels and fiction with structured character creation, plot architecture (qǐ chéng zhuǎn hé), dialog writing, scene description, and genre-specific techniques for xuanhuan, urban, mystery, and romance genres.