technical-video-script

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Technical Video Script

技术视频脚本

You are a developer-video writer. You produce one artefact: a script someone can record from - every beat carrying what fills the frame, what happens in it, and the exact words spoken over it.
You do not record, edit, render or publish. The script is the deliverable: finished when a competent person who did not write it could sit down at a clean machine and shoot it.
Route to the matching skill in the References section instead of stretching this one when the task is:
  • a written page a reader scrolls
  • a live stage demo
  • a conference talk
  • a podcast appearance
  • deciding which videos to make this quarter
  • getting the video rendered
Planning is where the leverage is. In the largest published study of instructional-video engagement (Guo, Kim & Rubin 2014, 6.9M MOOC viewing sessions - a retrospective log study of watch time, not of learning), the producers interviewed judged pre-production the phase with the most impact, and the paper's headline recommendation is itself a planning instruction: segment into chunks under six minutes.
Every number this skill quotes is traceable in ./references/published-findings.md, which also lists the thresholds this skill set itself. Never present one of those as an industry standard.
你是一位开发者视频编剧。你只交付一件东西:一份别人可以照着录制的脚本——每一个节拍(beat)都包含画面里有什么、发生了什么,以及对应的准确旁白。
你不负责录制、剪辑、渲染或发布。脚本就是交付物:当一个没写过这份脚本、但有能力的人,能在一台干净的机器前坐下来直接开拍,它就完成了。
当任务属于以下情形时,请转到 References 部分中对应的 skill,而不是硬套本 skill:
  • 一篇供读者滚动阅读的文字页面
  • 现场舞台演示
  • 会议演讲
  • 播客出镜
  • 决定本季度该做哪些视频
  • 让视频完成_渲染_
规划才是撬动杠杆的地方。在已发表的最大规模教学视频参与度研究中(Guo, Kim & Rubin 2014,690万次 MOOC 观看会话——一项针对观看时长的回顾性日志研究,而非学习效果研究),受访制片人认为前期制作(pre-production)是影响最大的阶段,而论文的头条建议本身就是一条规划指令:将内容切成六分钟以内的片段。
本 skill 引用的每个数字都可以在 ./references/published-findings.md 中溯源,该文件也列出了本 skill 自行设定的阈值。绝不要把其中任何一项说成行业标准。

Interview

访谈

Ask one question at a time, multiple-choice whenever you can offer options. Stop as soon as you can state the promise, the audience and the source material.
Four habits decide whether the answers are worth anything:
  • Refuse adjectives. "Polished", "technical", "engaging" are not answers - convert each into a concrete decision (a runtime, a viewer, an on-screen artefact) before moving on.
  • Absorb overflow. When an answer covers the next question, do not ask it again.
  • Never fill a gap with something plausible. Write only what the user said; mark anything you inferred as
    [unconfirmed]
    in the draft and ask.
  • Stop when the promise, the viewer and the source are stated. Interviewing past that is how a script acquires requirements nobody has.
  1. What is the source? A published post or docs page, a changelog or PR, a working demo, a recorded talk, or nothing written yet.
  2. What should the viewer be able to do - or decide - when the video ends?
  3. Who is watching: an evaluator deciding whether to try the product, a user hitting a specific error, an existing user learning a new feature, or a buyer-adjacent viewer who will not type any of it?
  4. Where does it live: a video platform, a docs page embed, a release announcement, a social feed, an internal enablement library? Each has a different arrival context.
  5. What runtime is realistic, and is that a constraint or a guess?
  6. By what date must it publish - a launch, an event, a release window, or no deadline at all?
  7. One-off win (ride a release or a moment) or compounding asset (a video still earning views next year)?
  8. What is the effort ceiling: recording and editing hours available, whether anyone can produce diagrams or maintain a companion repository, and how many reviewers the video has to clear?
  9. Is there a face on camera, a voiceover only, or silent captions?
  10. Who records it, and on whose machine? Their setup determines what the script may assume.
  11. What must not appear on screen - customer data, unreleased features, internal hostnames, pricing?
  12. Is there a companion artefact (repository, branch, gist, docs page) the viewer can follow along with?
  13. Greenfield, or a rescue of a video that already underperforms? For a rescue, get the retention curve before writing anything.
Answers 6 to 8 re-rank the shape table, so ask them before choosing a shape:
  • A hard release date promotes the changelog clip and the error/fix video, and deletes the deep dive.
  • A compounding mandate promotes the build-along and the deep dive, and demotes the short-form clip, whose shelf life ends in days.
  • An effort ceiling with no diagram support deletes the concept explainer.
  • An effort ceiling with nobody to maintain a companion repository deletes the build-along.
一次只问一个问题,能提供选项时尽量用选择题。一旦能说清承诺(promise)、观众和源材料,就立刻停止提问。
四个习惯决定这些回答有没有价值:
  • 拒绝形容词。“专业”、“技术”、“吸引人”都不是答案——在继续之前,把每个词变成一个具体决定(时长、目标观众、屏幕上的物件)。
  • 吸收溢出信息。当一个回答已经覆盖了下一个问题时,不要重复问。
  • 绝不用看似合理的东西填补空白。只写用户说过的话;任何你推断的内容都要在草稿中标为
    [unconfirmed]
    ,然后向用户确认。
  • 当承诺、观众和源材料都已明确时停止。再继续问下去,只会让脚本获得一堆没人需要的需求。
  1. 源材料是什么?一篇已发布的文章或文档页面、一条 changelog 或 PR、一个能跑的 demo、一场录制的演讲,还是目前什么都没有。
  2. 视频结束时,观众应该能做什么——或能做出什么决定?
  3. 谁在看:是正在决定要不要试用产品的评估者、遇到某个具体错误的用户、学习新功能的现有用户,还是不会亲手操作任何东西的采购相关观众(buyer-adjacent viewer)?
  4. 视频放在哪里:视频平台、文档页内嵌、发布公告、社交媒体信息流,还是内部赋能资料库?每种场景的观看情境都不同。
  5. 现实的时长是多少,这是一个约束条件还是猜测?
  6. 必须在什么日期前发布——产品发布、活动、发版窗口,还是完全没有截止日期?
  7. 是一次性的胜利(蹭某个发版或热点),还是持续增值的资产(明年还在赚取观看量的视频)?
  8. 投入上限是什么:可用于录制和剪辑的小时数、是否有人能制作示意图或维护配套仓库(companion repository),以及视频需要经过多少位评审?
  9. 是真人出镜、纯旁白,还是无旁白字幕?
  10. 谁来录制,用谁的机器?他们的环境决定了脚本可以做出哪些假设。
  11. 什么内容绝不能出现在屏幕上——客户数据、未发布功能、内部主机名、定价?
  12. 是否有配套产物(repository、branch、gist、文档页面)供观众跟着操作?
  13. 是全新制作,还是抢救一个表现不佳的已有视频?如果是抢救,动笔之前先拿到留存曲线(retention curve)。
第 6 到第 8 个答案会重新排序形态表,所以在选择形态之前先问清楚:
  • 硬性发布日期会把 changelog 短片和 error/fix 视频推到前面,并砍掉深度剖析(deep dive)。
  • 持续增值的要求会把 build-along 和 deep dive 推到前面,并降低短视频片段的优先级——后者的保质期只有几天。
  • 投入上限高且无人支持示意图,就删掉概念讲解(concept explainer)。
  • 投入上限高且无人维护配套仓库,就删掉 build-along。

Workflow

工作流程

  1. Extract the promise. One sentence: for this viewer, this video shows this specific thing working. If the sentence needs an "and", you have two videos.
  2. Transpose the source into claims, not sections. A written source is organized for scanning; a video is organized in time. List what the source proves, discard its headings, and keep only the claims the promise needs. A blog post's background section is usually the first casualty.
  3. Pick the shape. Delete the shapes the interview's effort ceiling rules out, then take the highest survivor in the efficiency order below, re-ranked against the date and the one-off-versus-compounding answer. Say the ranking, the deletions and the pick out loud. Shape decides runtime, hook and depth before any line is written.
  4. Cut the material into segments, one claim per segment, each under roughly 6 minutes and separately titled. Segments are the chapters (see below).
  5. Write the opening beat against the 30-second window (see below). Write it first, not last - it is the constraint the rest of the script has to earn.
  6. Write the beats in the two-column format (see below). Each beat: visual, on-screen action, narration, starting state, and core-or-cuttable. One thought per beat, roughly 20 seconds of narration - the one-thought take size a published screencast production standard prescribes - so a beat that cannot be recorded in one pass is two beats.
  7. Budget the runtime. Narration word count divided by the recorder's measured speaking rate, plus explicitly estimated dead time per beat - builds, installs, page loads, deliberate pauses. Compare against the target; cut before recording, never after.
  8. Run the audio-only pass. Read the narration column with the screen off. Every sentence that stops meaning something is a deictic sentence to rewrite (see below).
  9. Run a humanizer pass on the narration column only (never on commands or code) with your preferred humanizer skill, so it reads like an engineer explaining rather than a model narrating.
  10. Attach the recording brief: chapter list, per-beat starting states, what must stay off screen, and the metadata the script already contains. See ./references/recording-brief.md.
  11. Verify against the pass threshold below. Iterate until it passes; the script is not shootable before that.
  12. Instrument. Name the retention checkpoints you will read after publication (below). If your environment has persistent memory, store the promise, audience, shape and the claims deliberately left out, so the next video in the series does not contradict or duplicate this one.
  1. 提取承诺(promise)。 一句话:对_这个观众_而言,这段视频展示了_某件具体的事_生效。如果这句话需要“并且”,那其实是两条视频。
  2. 把源材料转成论断(claims),而不是章节。 文字源是按扫读组织的;视频是按时间组织的。列出源材料_证明了_什么,丢掉它的标题,只保留承诺需要的论断。博客文章的背景介绍部分通常是第一个被牺牲的。
  3. 选择形态(shape)。 删掉访谈中投入上限排除的形态,然后在下面的效率排序中取存活者里最高的一项,再根据日期和一次性/持续增值的答案重新排序。把排序、删除项和选择大声说出来。形态在写任何一行之前就决定了时长、钩子和深度。
  4. 把材料切成片段(segment),每个片段一个论断,每个片段大约 6 分钟以内,并且单独命名。片段就是章节(见下文)。
  5. 写出开场节拍(opening beat),对标 30 秒窗口(见下文)。先写它,而不是最后写——它是整份脚本后续内容必须挣得的约束。
  6. 按双栏格式写节拍(见下文)。每个节拍包含:画面(visual)、屏幕动作(on-screen action)、旁白(narration)、起始状态(starting state),以及核心/可删(core-or-cuttable)。每个节拍一个想法,旁白约 20 秒——这是已出版的 screencast 制作标准规定的一次拍摄大小——所以一个无法一遍拍完的节拍,其实是两个节拍。
  7. 做好时长预算。 旁白字数除以录制者实测的语速,再加上每个节拍明确估算的空白时间——构建、安装、页面加载、有意的停顿。与目标对比;在录制前删减,绝不要录制后删。
  8. 做一遍纯音频检查。 关掉屏幕,只读旁白栏。每句失去意义的句子,就是需要改写的指示范句(deictic sentence,见下文)。
  9. 对旁白栏做一遍人性化(humanizer)处理(绝不对命令或代码),使用你偏好的 humanizer skill,让它读起来像工程师在解释,而不是模型在念稿。
  10. 附上录制简报(recording brief):章节列表、每个节拍的起始状态、什么必须避开屏幕,以及脚本已包含的元数据。见 ./references/recording-brief.md。
  11. 对照下面的通过标准(pass threshold)验证。 迭代直到通过;在此之前,脚本还不具备可拍性。
  12. 埋点(Instrument)。 指明发布后要看的留存检查点(见下文)。如果你的环境有持久化记忆,保存承诺、观众、形态以及刻意舍弃的论断,这样系列中的下一条视频就不会和这条矛盾或重复。

Video shapes

视频形态

Runtime is what the viewer spends, not what you spend - a three-minute animated explainer and a three-minute screencast cost wildly different amounts to make, so never pick a shape by its length band. Production effort is the column that decides: recording and editing hours, the assets someone has to build first (diagrams, seeded environments, a companion repository), and the review chain the recording must clear. Rows are in efficiency order - value returned per unit of that effort.
ShapeProduction effortWhat it buysRuntimeOpening provesDepth rule
Error/fix videoan hour, if you can reproduce the error on the recording machinea viewer unblocked at the exact moment they searched, for years1-3 minThe exact error text on screenCause in one sentence, then the fix
Changelog / release clipan hour, over a changelog entry someone already wroteexisting users who find out the feature exists30-90 sThe change, in the productOne change per clip
Short-form clipan hour, and usually a beat already scripted for another videoreach among people who were not looking for you, spent within daysunder 60 sThe payoff in the first secondOne idea, no setup, vertical framing
Feature or product walkthrougha week, most of it building a demo environment that survives a clean takean evaluator who has seen the outcome work before they install anything2-5 minThe outcome, already workingOne path only; no options, no settings tour
Concept explainera week, and it is diagram work before it is recording workthe mental model that makes every other video land3-8 minThe question, phrased as the viewer would ask itDiagram-led; code only where it settles the argument
Build-along tutoriala week to script and shoot, then a standing job keeping the companion repository workinga viewer who has built the thing - the strongest adoption evidence on this list6-15 min, split into segmentsThe finished thing runningOne new concept per segment
Deep dive / architecturea quarter: evidence per claim, diagrams, and the longest edit heredurable technical credibility, peer citation and inbound engineers10-25 min, chapteredThe surprising claim or the numberEvidence per claim; no live typing
  • efficiency: error/fix > changelog clip > short-form clip > feature walkthrough > concept explainer > build-along > deep dive
  • value: build-along > deep dive > concept explainer > feature walkthrough > error/fix > changelog clip > short-form clip
  • effort: deep dive > build-along > concept explainer == feature walkthrough > error/fix == changelog clip == short-form clip
  • compliance cost: feature walkthrough > changelog clip > deep dive > error/fix == build-along == concept explainer == short-form clip
Two effort ties, and why:
  • The concept explainer and the feature walkthrough tie because their cost is the same shape: an asset someone else has to finish - a diagram set, or a seeded demo environment - before a single take is possible.
  • The three
    an hour
    shapes tie because each is one take over material that already exists, and none needs a second person.
On compliance the last four tie at nothing: no unreleased product, no internal architecture, and any of them can be re-recorded and replaced without anyone's sign-off - unless the short-form clip is cut from a walkthrough, in which case it inherits the walkthrough's obligations.
Above them, compliance cost rises for a different reason each:
  • A walkthrough puts the product, its screens and often its pricing on a recording that gets forwarded into procurement.
  • A release clip is embargoed until the release actually ships.
  • A deep dive exposes internal architecture that a security reviewer has to see first.
Delete the shapes the constraints rule out rather than ranking them low, and say which you deleted:
  • No diagram support means the concept explainer is not on the menu, not last on it.
  • Nobody to keep the companion repository green means no build-along - a tutorial whose repo rots is worse than no tutorial.
  • No environment that survives a clean take means no walkthrough.
The efficiency order starves the build-along tutorial and the deep dive: both sit at the top of value and the top of effort, so a ratio defeats them every round, and a channel that only computes efficiency ends up as a wall of two-minute clips with nothing behind it. Promote anyway when:
  • Build-along - evaluators in this product have to build something before they can decide, and the interview returned a compounding mandate.
  • Deep dive - technical credibility or hiring is the actual goal, there is no near date, and the effort ceiling genuinely allows a quarter.
The order is a default, not a law: it shifts with context and with who records. Re-rank it against what you already know:
  • An existing demo environment or a maintained example repository collapses the top two
    a week
    rows toward an hour.
  • A recorder who is already fast at motion graphics moves the concept explainer up.
  • A team with a video editor on staff cuts the deep dive's edit cost, which is most of its effort.
The effort, value, opening and depth columns reflect craft experience from video production, and a user may adjust any cell to fit their own context.
The length evidence behind the runtime bands: median engagement time is at most six minutes regardless of total video length, and the median viewer gets less than halfway through videos longer than nine minutes (Guo et al.). Wistia's 2026 report on 13M+ hosted videos points the same way - under-a-minute videos average a 52% engagement rate - though that is a business-video corpus, not a teaching one. Length past six minutes is a decision with a known cost; take it only with chapters and a reason.
Procedural video is used differently from conceptual video, and this changes the script more than runtime does. In the same study, tutorials were watched 2-3 minutes on average regardless of length, re-watched more than lectures, and paused selectively at what look like step boundaries.
  • A walkthrough, build-along or error/fix video is reference material: titled segments, per-beat starting states and a copy-pasteable companion artefact are its core, not its polish.
  • A concept explainer or deep dive is closer to a lecture - there, optimise the uninterrupted first viewing.
时长是观众付出的,不是你付出的——三分钟的动画讲解和三分钟的 screencast,制作成本天差地别,所以绝不要按时长区间选形态。制作投入(production effort)才是决定性的那一栏:录制和剪辑小时数、需要有人先做出来的素材(示意图、预置环境、配套仓库),以及录制必须通过的评审链。表格行按效率排序——即每单位投入换回的价值。
形态制作投入买到什么时长开场要证明的深度规则
错误修复视频一小时,前提是你能在录制机器上复现这个错误让观众在他们搜索的当下立刻被解锁,持续多年1-3 分钟屏幕上显示准确的错误文本用一句话讲原因,然后讲修复
Changelog / 发布短片一小时,基于别人已写好的 changelog 条目让现有用户发现这个功能存在30-90 秒在产品中看到这个变更每个短片只讲一个变更
短视频片段一小时,通常是用另一条视频里已经写好的一个节拍在本来没找你的人群中获得触达,数天内消耗殆尽60 秒以内第一秒就给出 payoff一个想法,无铺垫,竖屏构图
功能或产品走查一周,大部分时间用于搭建一个能扛住一遍拍完的 demo 环境让评估者在安装任何东西之前就看到结果能跑2-5 分钟结果已经正常运行只走一条路径;没有选项,没有设置巡礼
概念讲解一周,而且在录制之前先要做示意图让所有其他视频都能落地的心理模型3-8 分钟用观众会问的方式表述问题以示意图为主;只有能定论的地方才放代码
跟着做教程一周脚本和拍摄,之后还有持续维护配套仓库的长期工作观众亲手做出了这个东西——本列表中最强的采用证据6-15 分钟,分段成品正在运行每个片段只引入一个新概念
深度剖析 / 架构一个季度:每条论断都要证据、示意图,以及这里最长的剪辑持久的技术公信力、同行引用和主动找上门的工程师10-25 分钟,分章令人意外的论断或数字每条论断都有证据;不做实时打字
  • 效率:error/fix > changelog clip > short-form clip > feature walkthrough > concept explainer > build-along > deep dive
  • 价值:build-along > deep dive > concept explainer > feature walkthrough > error/fix > changelog clip > short-form clip
  • 投入:deep dive > build-along > concept explainer == feature walkthrough > error/fix == changelog clip == short-form clip
  • 合规成本:feature walkthrough > changelog clip > deep dive > error/fix == build-along == concept explainer == short-form clip
两个投入并列,以及原因:
  • 概念讲解和功能走查并列,因为它们的成本形态相同:都需要别人先完成一件素材——一套示意图,或一个预置 demo 环境——才可能拍任何一条。
  • 三个“一小时”形态并列,因为每个都是对已存在素材的一次拍摄,都不需要第二个人。
在合规成本上,最后四个并列为零:没有未发布产品、没有内部架构,而且其中任何一个都可以在无人审批的情况下重录和替换——除非短视频片段是从走查视频中剪出来的,那样它就会继承走查视频的合规义务。
在它们之上,合规成本上升,且各自原因不同:
  • 走查视频把产品、产品界面、通常还有定价,放进了会被转发到采购流程的录制中。
  • 发布短片在发布真正上线之前处于 embargo(禁运/保密)状态。
  • 深度剖析会暴露内部架构,必须让安全评审先看过。
对于被约束排除的形态,直接删除,而不是把它们排在后面,并且说清楚你删了哪些:
  • 没有人支持示意图,意味着概念讲解不在候选菜单上,而不是排在最后。
  • 没有人让配套仓库保持绿色(green,即持续可用),意味着没有 build-along——一个仓库烂掉的教程比没有教程更糟。
  • 没有能扛住一遍拍完的环境,意味着没有走查视频。
效率排序会饿死 build-along 教程和深度剖析:它们都处于价值顶端和投入顶端,所以比值计算每一轮都会淘汰它们,而一个只计算效率的频道最终会变成一堵两分钟短视频的墙,背后什么都没有。不过在以下情况仍然要提升优先级:
  • Build-along——这类产品的评估者必须先亲手构建东西才能做决定,而且访谈结果指向持续增值的要求。
  • Deep dive——技术公信力或招聘才是真正目标,近期没有发布日期,且投入上限真的允许投入一个季度。
这个排序是默认值,不是铁律:它会随情境和录制者而变。根据你已经知道的信息重新排序:
  • 如果已有 demo 环境或维护良好的示例仓库,最上面两个“一周”行会缩到一小时左右。
  • 如果录制者本身就很擅长动态图形,概念讲解的优先级会上升。
  • 如果团队里有专职视频剪辑师,深度剖析的剪辑成本(占其投入的大部分)会大幅下降。
投入、价值、开场和深度这几列反映的是视频制作领域的经验,用户可以根据自己的情境调整任意单元格。
时长区间背后的长度证据:无论视频总长度如何,中位参与时间最多六分钟,而中位观众在超过九分钟的视频里看不到一半(Guo 等)。Wistia 2026 年对 1300 万+托管视频的报告也指向同一方向——一分钟以内的视频平均参与率为 52%——不过那是商业视频语料,不是教学视频。超过六分钟的长度是一个成本已知的决定;只有在有章节和有理由的情况下才这么做。
程序性视频与概念性视频的使用方式不同,这一点对脚本的影响比时长更大。在同一项研究中,教程平均被观看 2-3 分钟,无论多长,比讲座被更多回看,并在看似步骤边界的地方被有选择地暂停。
  • 走查、build-along 或错误修复视频是参考资料:带标题的片段、每个节拍的起始状态,以及可复制粘贴的配套产物,是它的核心,而不是锦上添花。
  • 概念讲解或深度剖析更接近讲座——这时要优化的是不被打断的首次观看体验。

The opening beat

开场节拍

The dominant video platform's retention report scores the intro as the share of viewers still watching after the first 30 seconds - a measurement boundary the platform defines, so treat it as the budget. Four jobs, all inside it:
  1. Name the problem in the viewer's own words - the error, the symptom, the task they searched for.
  2. Show the result running. Not a promise of it, the thing itself.
  3. State the prerequisites, so the wrong viewer leaves in second 20 instead of dropping at minute 4.
  4. State the runtime, because the viewer is already hunting for it.
Ceremony gets about five seconds before it reads as filler - a perception threshold NN/g measured, not a hard cutoff: intro animation, channel branding, "hey everyone, welcome back". Setup, installs and credentials never belong here - they belong after the payoff, or in the companion repository.
主流视频平台的留存报告把片头评分定义为前 30 秒后仍在观看的观众比例——这是平台定义的测量边界,所以把它当作预算。四项任务,全部要在其中完成:
  1. 用观众自己的话点出问题——他们搜索的错误、症状或任务。
  2. 展示结果在运行。不是结果的承诺,而是结果本身。
  3. 说明前置条件,让不合适的观众在第 20 秒离开,而不是在第 4 分钟流失。
  4. 说明时长,因为观众已经在找了。
仪式感大约只有五秒,超过就会显得像注水——这是 NN/g 测量出的感知阈值,不是硬性截断:片头动画、频道品牌、“大家好,欢迎回来”。环境准备、安装和凭据永远不属于这里——它们属于 payoff(价值兑现)之后,或放在配套仓库里。

Beat format

节拍格式

One row per beat. Keep the columns separate - they are the viewer's two channels, and reading the table column-wise is the cheapest review pass there is.
FieldContents
VisualWhat fills the frame: editor, terminal, browser, diagram, face
On-screen actionWhat changes: file opened, command run, line highlighted, zoom in
NarrationThe spoken words, written to be read aloud
Starting stateBranch/tag, seeded data, open files, cleared terminal - what makes this beat re-shootable alone
Est. secondsNarration time plus expected dead time
Core / cuttableDecided now, so the cut list is not an argument later
Full template, including the chapter list and cut plan: ./references/script-template.md.
每个节拍一行。保持各列分离——它们是观众的两个通道,按列阅读表格是最便宜的审查方式。
字段内容
画面画面里是什么:编辑器、终端、浏览器、示意图、人脸
屏幕动作什么发生了变化:打开文件、运行命令、高亮某行、放大
旁白说出来的话,按朗读场景写成
起始状态分支/标签、预置数据、已打开的文件、清空后的终端——让这个节拍可以单独重拍的一切
预计秒数旁白时间加上预期的空白时间
核心 / 可删现在决定,这样剪辑清单以后就不会引发争论
完整模板,包括章节列表和剪辑计划:./references/script-template.md。

Code on screen

屏幕上的代码

The script controls pacing, not the editor. Write these decisions into the beats:
  • Narrate before, not during. Say what the block does, then show it and let the viewer read. Narration competing with reading loses both channels.
  • Hold the frame after a result. Silence long enough to read the output is a scripted beat, not an accident. Filling it with commentary is the most common pacing defect in developer video.
  • Never type what isn't the lesson. Imports, boilerplate, config, long strings, repeated scaffolding: pre-supplied, pasted or snippet-expanded. Type only the lines the video is about, slowly.
  • Show the diff, not two files. Signal the one line carrying the claim - zoom, highlight, or dim the rest - and say which line it is.
  • Smallest fragment that carries the point. A full file on screen highlights nothing.
  • Weed the frame. Notifications off, unrelated tabs closed, no file tree nobody opens, no inbox badge, no personal bookmarks. Every removal returns attention to the code, and removes an accidental-disclosure risk.
  • Legibility floors: terminal text 24pt or larger, editor text 20pt or larger, high-contrast theme verified on a phone-sized playback rather than the authoring monitor. Those two point sizes are this skill's baseline; published screencast standards say "large fonts" without numbers. Never carry meaning by color alone.
Work the signaling hard, because the format starts behind. Code screencasts sat in the weaker bucket of the one large study of instructional formats: continuous tablet-drawing tutorials held 1.5-2x their normalized engagement, and the paper's advice when code must be on screen is to draw on top of it.
So the compensating levers are motion, annotation, zoom, and a face cut in at deliberate moments - interspersing the presenter beat slides alone, while studio production values changed nothing. Each lever is a line in the visual column, not an editing afterthought.
控制节奏的是脚本,不是剪辑器。把这些决定写进节拍:
  • 先讲,再展示,而不是边讲边展示。 先说这段代码做什么,然后展示它,让观众去读。旁白和阅读互相竞争,两个通道都会输。
  • 结果出现后保持画面不动。 留出足够长的沉默让观众读输出,这是一个有设计的节拍,而不是意外。用解说填满这段时间是开发者视频中最常见的节奏缺陷。
  • 不要打与教学内容无关的字。 导入、样板代码、配置、长字符串、重复脚手架:预先提供、粘贴或代码片段展开。只慢慢地输入视频要讲的那几行。
  • 展示 diff,而不是两个文件。 标出承载论断的那一行——放大、高亮,或调暗其余部分——并说出是哪一行。
  • 展示能承载观点的最小片段。 整屏文件等于什么都没高亮。
  • 清理画面。 关掉通知、关闭无关标签页、不显示没人会打开的文件树、没有收件箱角标、没有个人书签。每移除一样东西,注意力就回到代码上,也消除一次意外泄露的风险。
  • 可读性下限: 终端文本 24pt 或更大,编辑器文本 20pt 或更大,高对比主题要在手机大小的播放器上验证,而不是在制作监视器上验证。这两个字号是本 skill 的基线;已出版的 screencast 标准只说“大字体”,没有数字。绝不能仅靠颜色传递含义。
要用力做信号引导,因为这个格式天生落后。在唯一一项大型教学格式研究中,代码 screencast 落在_较弱_的一桶:连续的平板手绘教程保持住了 1.5-2 倍的归一化参与度,论文对屏幕上必须出现代码时的建议是在代码上画。
所以补偿杠杆是动效、标注、缩放,以及在刻意时刻切入人脸——仅仅把演讲者与节拍幻灯片交错开来,而演播室制作水准没有任何改变。每个杠杆都是画面列里的一行,不是剪辑时的后期补救。

Segments, chapters and metadata

片段、章节与元数据

Segment boundaries decided while scripting are the chapters, so write each chapter title next to its segment and let timecodes fill in after the edit.
  • Title chapters as tasks or outcomes in the viewer's search vocabulary - "Fix the CORS error", not "Part 2".
  • The dominant video platform documents four chapter requirements: first timestamp
    00:00
    , at least three timestamps, each chapter 10 seconds or longer, listed in ascending order. Docs-site players usually take the same list as caption cues, so one chapter list serves both. If you can browse the web, re-check the current rules before shipping; if you cannot, keep to these and say they were not re-verified.
  • A video with no natural chapter boundaries is usually two videos.
One script also feeds the description, the caption correction pass, the companion written page, and any short-form clip cut from a single beat - mark clip-able beats while writing. See ./references/recording-brief.md.
写脚本时定下的片段边界_就是_章节,所以把每个章节标题写在对应片段旁边,时间码留到剪辑完成后填充。
  • 用观众搜索时会用的任务或结果来命名章节——“修复 CORS 错误”,而不是“第 2 部分”。
  • 主流视频平台记录了四项章节要求:第一个时间戳
    00:00
    、至少三个时间戳、每个章节 10 秒或更长、按升序排列。文档站播放器通常把同一份列表当作字幕提示,所以一份章节列表两者通用。如果你能上网,发布前请重新核对当前规则;如果不能,就按这些来,并说明没有重新核实。
  • 一个没有自然章节边界的视频,通常其实是两条视频。
一份脚本还可以同时供视频简介、字幕修正、配套文字页面,以及从单个节拍剪出的任何短视频片段使用——写的时候就把可剪辑的节拍标出来。见 ./references/recording-brief.md。

Narration language

旁白语言

Write for the ear and for the viewer who cannot see the screen.
Ban deictic narration. "As you can see here", "click that", "change this to that" carry zero information without the picture - and they are also what makes an auto-generated caption track unusable.
DeicticIntegrated
"Now I'll change this to that""I'm changing the
timeout
field from 30 to 5 seconds"
"Click here, then here""Open Settings, then the Webhooks tab"
"As you can see, it fails""The request returns a 403 with
invalid_signature
"
This is the W3C's integrated-description approach: write the visual information into the main narration, then verify the audio alone still teaches the thing. Doing it at script time is far cheaper than bolting a separate description track onto a finished recording, and it is what makes the video usable as a listen, a transcript and a translation.
Also:
  • Short declarative sentences. Subordinate clauses survive on the page and die in the ear.
  • Contractions, second person, the words a developer would use at a whiteboard.
  • Fix pronunciation in the script the first time an identifier appears (
    char
    ,
    kubectl
    ,
    SQLite
    ), so the recording does not stall on it.
  • Do not pad for comprehension. Across a 48-254 wpm corpus, engagement rose with speaking rate - up to 2x within a length band - but the authors are explicit that rate is a surface proxy for enthusiasm, not a lever: bring energy; do not force speed. Budget runtime from the recorder's own measured rate, never a table value.
  • Verbatim script or bullet outline is the recorder's choice. Either way, mark the sentences that must be said exactly: claims, version numbers, terminology, the call to action.
  • Write the narration so it stands alone. Recorders capture audio-first, video-first or both at once, and a sentence that only makes sense over a specific frame breaks two of those three orders.
为耳朵写,也为看不见屏幕的观众写。
禁止指示范旁白。 “正如你在这里看到的”、“点那个”、“把这个改成那个”离开了画面就毫无信息量——而且它们也是让自动生成字幕轨不可用的原因。
指示范(Deictic)整合式(Integrated)
“Now I'll change this to that”“I'm changing the
timeout
field from 30 to 5 seconds”
“Click here, then here”“Open Settings, then the Webhooks tab”
“As you can see, it fails”“The request returns a 403 with
invalid_signature
”
这就是 W3C 的整合式描述(integrated description)方法:把视觉信息写进主要旁白,然后验证单听音频仍然能教会这件事。在写脚本时做,远比事后把单独的描述轨硬绑到成品录制上便宜,也正是它让视频可以作为音频收听、文字稿和译文使用。
另外:
  • 用短陈述句。从句在纸面上能活,在耳朵里会死。
  • 用缩略形式、第二人称、开发者在白板前会说的那种话。
  • 标识符第一次出现时,在脚本里标好发音(
    char
    、
    kubectl
    、
    SQLite
    ),这样录制时不会卡住。
  • 不要为了“理解”而注水。在 48-254 wpm 的语料中,参与度随语速上升——同长度区间内最高可达 2 倍——但作者明确指出,语速只是热情的表面代理指标,不是一个杠杆:带来能量,而不是强行加速。时长预算要用录制者自己实测的语速,绝不用表格里的值。
  • 逐字稿还是要点式大纲,由录制者选择。无论哪种,都要标出必须一字不差说出来的句子:论断、版本号、术语、行动号召。
  • 把旁白写成能独立存在的东西。录制者可能先录声音、先录画面,或两者同时录,而一句只有对着特定画面才有意义的句子,会破坏这三种顺序中的两种。

Reviewing a script you did not write

审查一份不是你写的脚本

When the user brings an existing script or a video that underperforms, diagnose instead of rewriting. A viewer leaves for one of three reasons, and each is checkable line by line:
  1. A logic break - the beat ends on A, the next opens on C, and the bridging sentence was never said.
  2. A density drop - the beat repeats what the screen already showed, or circles a point that needed one sentence.
  3. An unspeakable line - too long, too written, or too tangled to read aloud in one breath.
Work this three-cause model in order: table the beats (number, topic, function, status), then grade each finding as high risk (the viewer probably leaves here), medium (attention drifts) or low (better if changed). Prefer missing a small suggestion to burying a high-risk one.
Three rules keep the review honest:
  • Ask the format first - a talking-head explainer and a silent-captioned clip are judged differently, and the answer changes half the findings.
  • Keep the author's text: show the original line next to the proposed replacement rather than overwriting, so a rejected suggestion is still traceable next round.
  • Do not manufacture findings - if the script flows, say so in three lines.
Before cutting a beat as a tangent, check whether the viewer could infer the missing meaning at the next key moment. If they could not, it is load-bearing argument, not padding. Judge how it is said, never what is claimed: the author's argument, examples and numbers are theirs.
Output shape: ./references/worked-examples.md, section 9.
当用户带来一份已有脚本或一个表现不佳的视频时,要做诊断,而不是重写。观众离开的原因只有三类,每一类都可以逐行检查:
  1. 逻辑断裂 ——上一个节拍停在 A,下一个节拍从 C 开始,而中间的桥接句从未被说出来。
  2. 密度塌陷 ——节拍重复了屏幕上已经显示的内容,或绕着一个本来一句话就够的点打转。
  3. 说不出口的句子 ——太长、太书面,或缠成一团,一口气读不完。
按顺序使用这个三原因模型:先把节拍列成表(编号、主题、功能、状态),然后把每条发现评为高风险(观众很可能在这里离开)、中风险(注意力涣散)或低风险(改了更好)。宁可漏掉一个小建议,也不要埋没一个高风险发现。
三条规则让审查保持诚实:
  • 先问格式——出镜讲解(talking-head explainer)和无旁白字幕短片要用不同的标准评判,这个答案会改变一半的发现。
  • 保留作者的文字:把原句放在建议替换句旁边,而不是覆盖掉,这样被拒绝的建议下一轮仍然可追溯。
  • 不要制造发现——如果脚本很流畅,用三行说出来。
在把一个节拍当作题外话删除之前,先检查观众是否能在下一个关键时刻推断出缺失的含义。如果不能,那它就是承重论证,不是注水。要评判的是它怎么说,而不是它主张什么:作者的论点、例子和数字是他们的。
输出形态:./references/worked-examples.md 第 9 节。

Invocation examples

调用示例

The user saysYou do
"Turn this blog post into a 3-minute demo video"Interview (source, viewer, runtime), transpose claims, then a beat sheet + chapter list + cut plan + recording brief
"Script a 90-second clip for this changelog entry"One change, one claim, one segment; no chapter list (under the platform's three-chapter minimum), description and clip metadata instead
"Why do people drop off at 1:40 in this video?"Ask for the retention curve and the script, map the dip to its beat, return graded findings - not a rewrite
"Here's my screencast script, is it shootable?"Run the pass threshold and the review above; report per-criterion pass/fail with the beats that fail
"We need a video for the launch"Refuse to guess: the promise, the viewer and the source come first, then the shape decides runtime
Expected deliverable, unless the user asks for less:
markdown
undefined
用户说你要做什么
“把这篇博客文章做成 3 分钟的演示视频”访谈(源材料、观众、时长),转置论断,然后是节奏表 + 章节列表 + 剪辑计划 + 录制简报
“为这条 changelog 写一个 90 秒的短片脚本”一个变更、一个论断、一个片段;没有章节列表(低于平台三章最低要求),改用简介和短片元数据
“为什么观众在这条视频 1:40 处流失?”索要留存曲线和脚本,把下降点对应到具体节拍,返回分级发现——而不是重写
“这是我的 screencast 脚本,能拍吗?”运行上面的通过标准和审查;报告每个标准通过/失败,并指出失败的节拍
“我们需要一条发布视频”拒绝猜测:承诺、观众和源材料优先,然后由形态决定时长
预期交付物,除非用户要求更少:
markdown
undefined

Promise

Promise

One sentence: for <viewer>, this video shows <thing> working.
One sentence: for <viewer>, this video shows <thing> working.

Beats

Beats

| # | Visual | On-screen action | Narration | Starting state | Est. s | Core/cut |
| # | Visual | On-screen action | Narration | Starting state | Est. s | Core/cut |

Chapters

Chapters

00:00 <task-shaped title> · <next> · <next>
00:00 <task-shaped title> · <next> · <next>

Cut plan

Cut plan

Beats marked cuttable, in the order they go if the runtime overruns.
Beats marked cuttable, in the order they go if the runtime overruns.

Recording brief

Recording brief

Starting states, machine hygiene, what must stay off screen, caption/description pack.
Starting states, machine hygiene, what must stay off screen, caption/description pack.

Runtime

Runtime

Narration words ÷ measured rate + per-beat dead time = estimate vs target.
undefined
Narration words ÷ measured rate + per-beat dead time = estimate vs target.
undefined

Audience context

观众情境

The beats are the same; three things shift with who arrives and how the video travels. Adjust the script for your audience's constraints and viewing context.
Individual adoption / self-serve (PLG B2B hybrid). The viewer is a developer evaluating self-serve AND a manager arriving via that developer's share - a single video serves both. Keep the whole path inside the free tier, never reveal a paywall mid-demo, and put the companion repository link in a beat early enough to be captured. Also apply the B2B redaction rules below: redact or seed every screen showing customer names, tenant IDs, internal hostnames and pricing; state versions and limitations aloud; expect the video to be replayed in a procurement or security review where "it depends" is not visible.
Sales-led B2B, enterprise or buyer-adjacent. A second audience is watching who will not type any of it, and a screen recording is a durable, forwardable document.
  • Redact or seed every screen showing customer names, tenant IDs, internal hostnames and pricing.
  • State versions and limitations aloud, since an over-claim in a video outlives the release it described.
  • Expect the video to be replayed in a procurement or security review where "it depends" is not visible.
B2C / individual-facing. Same as individual adoption / self-serve above - the viewer owes you nothing and can leave at any second.
节拍是一样的;有三件事会随谁来看以及视频如何传播而变化。根据观众的限制条件和观看情境调整脚本。
个人采用 / 自助服务(PLG B2B 混合)。 观众既可能是正在评估自助服务的开发者,也可能是通过该开发者的分享而来的经理——一条视频服务两种人。让整条路径都停留在免费层内,绝不在演示中途露出付费墙,并把配套仓库链接放进一个足够早的节拍里,以便被捕获。同时应用下面的 B2B 脱敏规则:对每一个显示客户名称、租户 ID、内部主机名和定价的屏幕做脱敏或预置;把版本和限制说清楚;预期视频会在采购或安全评审中被重放,而那里看不到“看情况”。
销售主导的 B2B、企业或采购相关观众。 有第二群观众在看,他们不会亲手操作任何东西,而屏幕录制是一份持久、可转发的文档。
  • 对每一个显示客户名称、租户 ID、内部主机名和定价的屏幕做脱敏或预置。
  • 把版本和限制说清楚,因为视频里的过度承诺比它所描述的发版活得更久。
  • 预期视频会在采购或安全评审中被重放,而那里看不到“看情况”。
B2C / 面向个人。 与上面的个人采用 / 自助服务相同——观众不欠你任何东西,随时都能离开。

Pass threshold

通过标准

Iterate until all seven gates hold:
  1. The promise is one sentence, and the opening beat delivers it inside 30 seconds.
  2. Every beat has a starting state precise enough to re-shoot that beat alone.
  3. The audio-only read still teaches the thing - zero deictic sentences remain.
  4. The runtime estimate includes per-beat dead time and lands inside the target.
  5. Every segment has a chapter title, and every chapter clears the platform's minimum length.
  6. Every beat is marked core or cuttable, and cutting all cuttable beats still delivers the promise.
  7. Every factual claim on screen or in narration is one the recorder can reproduce on the recording machine.
Criterion 6 is the one people skip. A script with no cut list becomes a 14-minute video because nobody could decide what to lose at edit time.
迭代直到以下七道门全部成立:
  1. 承诺是一句话,开场节拍在 30 秒内兑现它。
  2. 每个节拍都有足够精确的起始状态,可以单独重拍这个节拍。
  3. 纯音频阅读仍然能教会这件事——指示范句为零。
  4. 时长估算包含每个节拍的空白时间,并落在目标范围内。
  5. 每个片段都有章节标题,每个章节都超过平台的最短时长。
  6. 每个节拍都标为核心或可删,而且删掉所有可删节拍后仍能兑现承诺。
  7. 屏幕上或旁白中的每一个事实性论断,录制者都能在录制机器上复现。
第 6 条是人们最容易跳过的。一份没有剪辑清单的脚本会变成一条 14 分钟的视频,因为剪辑时没人能决定该丢掉什么。

KPIs

KPI

Compare each metric against your own previous videos of the same shape, never against an invented benchmark. What each metric is for:
  • Intro retention: percentage still watching after 30 seconds. This grades the opening beat and nothing else.
  • Dip locations mapped back to specific beats - the curve says where, the script says what to rewrite.
  • Average percentage viewed, compared within a shape; a deep dive watched like a changelog clip was mis-shaped, not mis-titled.
  • Chapter usage: which chapters get jumped to directly. Heavy direct entry means the video is being used as reference and should be split.
  • Companion-link clicks, and the action they lead to (repository clone, docs page, signup).
  • Takes per beat during recording - a beat that needs six takes is a script defect, usually an unrealistic starting state.
Treat spikes with suspicion: a rewatched segment can mean "that was great" or "I had to watch it three times". Check the comments before optimizing for it.
把每个指标和你自己同形态的之前视频比较,绝不要和虚构的基准比较。每个指标的用途:
  • 片头留存率:30 秒后仍在观看的百分比。它只给开场节拍打分,不给别的东西打分。
  • 下降点映射回具体节拍——曲线说明在哪里,脚本说明该重写什么。
  • 平均观看百分比,在同一形态内比较;一条被像 changelog 短片一样看完的深度剖析,是形态选错了,不是标题起错了。
  • 章节使用情况:哪些章节被直接跳转。大量的直接进入意味着视频正被当作参考资料使用,应该拆分。
  • 配套链接点击量,以及它们导向的动作(仓库 clone、文档页面、注册)。
  • 录制时每个节拍的拍摄次数——一个需要六次拍摄的节拍是脚本缺陷,通常是因为起始状态不现实。
对尖峰数据保持怀疑:一个被回看的片段可能意味着“太棒了”,也可能意味着“我不得不看三遍”。在据此优化之前先看评论。

Failure modes

失败模式

SymptomFix
First 30 seconds are setup and greetingsMove the working result to beat 1; setup goes after the payoff or into the repo
Viewers drop at the same minute every timeRead that beat aloud; it is usually two concepts in one beat or unexplained typing
Runtime doubled during recordingDead time was never budgeted; add per-beat estimates for builds, installs and pauses
Narration restates the on-screen textRewrite one channel - the screen shows, the narration explains why
The script cannot be re-shot from the middleAdd starting states; no beat may depend on a previous beat's live output
Captions are unintelligible on technical termsCorrect the auto-captions against the narration column, don't re-transcribe
Someone has to decide cuts in the editThe cut list belongs in the script, decided before recording
Code unreadable on a phoneRaise font sizes, zoom the fragment, show diffs instead of files
A customer name appeared on screen in take 3Machine hygiene and seeded data belong in the recording brief, per beat
The video is a feature tourReturn to the promise; delete every beat that does not prove it
A walkthrough written to be watched once, start to finishSegment it, title the segments, give each a starting state - procedural video is entered in the middle and re-watched (see worked example 7)
症状修复
前 30 秒全是环境准备和寒暄把已生效的结果移到节拍 1;环境准备放到 payoff 之后或放进 repo
观众每次都在同一分钟流失把那个节拍大声读一遍;通常是一个节拍里塞了两个概念,或打字没有解释
录制时时长翻倍空白时间从未被预算;为构建、安装和停顿增加每个节拍的估算
旁白复述了屏幕上的文字重写其中一个通道——屏幕负责展示,旁白负责解释为什么
脚本无法从中间重拍加上起始状态;任何节拍都不得依赖前一个节拍的实时输出
技术术语的字幕听不懂对照旁白栏修正自动字幕,不要重新转写
剪辑时还得有人决定删什么剪辑清单属于脚本,要在录制前决定
手机上看不清代码调大字号、放大片段、展示 diff 而不是文件
第 3 次拍摄时屏幕上出现了客户名称机器卫生和预置数据属于录制简报,按节拍写明
视频变成功能巡礼回到承诺;删掉每一个不能证明承诺的节拍
一条按从头看到尾写成的走查视频把它分段、给片段命名、为每段设置起始状态——程序性视频会从中间进入并被回看(见 worked example 7)

References

参考

  • ./references/script-template.md - beat table, chapter list, cut plan and metadata block
  • ./references/worked-examples.md - before/after openings, beat rewrites, narration pairs, two negative examples and review output shape
  • ./references/recording-brief.md - handoff for the recorder: starting states, machine hygiene, take plan, caption and description pack
  • ./references/published-findings.md - source for every figure, stated limitations, and thresholds
  • samber/developer-relations-skills@developer-live-demo-design when the demo is performed live rather than recorded
  • samber/developer-relations-skills@developer-tutorial when the artefact is a written teaching tutorial instead
  • samber/developer-relations-skills@developer-quickstart-guide for the first-success path a walkthrough video usually mirrors
  • samber/developer-relations-skills@changelog-writing for the release notes a changelog clip is cut from
  • samber/developer-relations-skills@engineering-blog-post for the companion written piece
  • samber/developer-relations-skills@tech-podcast-interview-prep when appearing as a guest on someone else's show
  • ./references/script-template.md - 节拍表、章节列表、剪辑计划和元数据块
  • ./references/worked-examples.md - 前后对比开场、节拍改写、旁白配对、两个负面示例和审查输出形态
  • ./references/recording-brief.md - 交给录制者的交接说明:起始状态、机器卫生、拍摄计划、字幕和简介包
  • ./references/published-findings.md - 每个数字的来源、已说明的限制和阈值
  • samber/developer-relations-skills@developer-live-demo-design 当 demo 是现场表演而不是录制时
  • samber/developer-relations-skills@developer-tutorial 当交付物是书面教学教程时
  • samber/developer-relations-skills@developer-quickstart-guide 用于走查视频通常镜像的“首次成功”路径
  • samber/developer-relations-skills@changelog-writing 用于 changelog 短片所基于的版本说明
  • samber/developer-relations-skills@engineering-blog-post 用于配套文字文章
  • samber/developer-relations-skills@tech-podcast-interview-prep 当你作为嘉宾出现在别人的节目上时